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Kunst-Geschichten

International Competition

HFF AudimaxX

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Jesper Just, Servitudes, 2015, 9’ © Jesper Just / Galerie Perrotin Paris

JESPER JUST, SERVITUDES

(DNK 2015, 2K, 9’,  NO DIALOGUES)

Cast: Dree Hemingway

The film only has a single camera position but a complex subject. It investigates the balancing act of identity, femininity and the clichés of sensuality and erotic – and thus, the dominant culture of youthfulness and beauty that exists in today‘s world.

Born in 1974 in Kopenhagen, lives in New York. Previous solo exhibitions a.o. at Palais de Tokyo (2015); at Portland Art Museum; Des Moines Art Center; National Art Museum of Modern Art, Seoul (all 2014). He represented Denmark in 2013 with This Is a Landscape at the Venice Biennale. Numerous awards, including the Carnegie Art Award 2008. Since 2000 about 25 films and installations, a.o. It Will All End IN TEARS (2006), A Vicious Undertow (2007), Sirens of Chrome (2010)

 

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Jochen Kuhn, Zentralmuseum, 2016, 15’40’’ © Jochen Kuhn

JOCHEN KUHN, ZENTRALMUSEUM

(DEU 2016, DIGITAL, 15’40’’, GERMAN)

WORLD PREMIERE.

Filmic observation about what it’s like to inherit a museum.

Born in 1954, lives in Ludwigsburg. Retrospective at the International Short Film Festival Tampere 2014. Solo exhibitions at the Galerie Artforum, Offenburg; Badischer Kunstverein, Karlsruhe; Künstlerhaus Hamburg; Sammlung Goetz, Munich et al. Professor at the Filmakademie Baden-Württemberg. A.o. German Film Prize and the Grand Award in Oberhausen.

Selected films: Immer müder (2014, KdK 2015), Sonntag 3 (2012, KdK 2013)

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Erik van Lieshout, Die Insel (The Island), 2016, 38’. Commissioned for Emscherkunst 2016

ERIK VAN LIESHOUT, DIE INSEL

(NLD 2016, HD, 38’, DUTCH-GERMAN-ENGLISH)

Art eccentric Erik van Lieshout uses his contribution to the exhibition Emscherkunst 2016 in the Ruhr Region, curated by Munich art professor Florian Matzner, to create a clownish parody about selfdiscovery and the infi ltration of government agencies. Every day for four months, he visits a small island in the middle of Dortmund‘s Phoenix Lake, a surreal environment consisting of the lake, expensive apartment buildings, workers‘ quarters and office blocks. He is accompanied only by Ahmad, a Syrian refugee, whose biography he simultaneously tells.                                                                                                                                

Born in 1968, lives in Rotterdam. For 25 years his work has been part of many important exhibitions worldwide. Solo exhibitons a.o. at Kunstverein Hannover; WIELS, Brussels; Kunsthalle Wien; MMK Frank furt; Hammer Museum, Los Angeles. Participation in Thessaloniki Biennale 2015, Moscow Biennale 2013, 55th Venice Biennale 2011 et al.

Selected Films: The Basement (2013), JANUS (2012), Sex ist sentimental (2009)

 

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Rachel Maclean, It’s What’s Inside That Counts, 2016, 30’ © Rachel Maclean / HOME Artist Film. Commissioned in partnership with HOME, University of Salford Art Collection, Artpace, Zabludowicz Collection, Tate, Frieze Film and Channel 4 Random Acts.

RACHEL MACLEAN, IT’S WHAT’S INSIDE THAT COUNTS

(GBR/USA 2016, DIGITAL, VIDEO, 30’, ENGLISH)

GERMAN PREMIERE

A hefty parody of our digital reality in the typical Maclean Horror-Barbie look, coproduced by Channel 4 and the Tate Gallery. The supermodel-like figurehead of a greed-driven data provider is stalked by the leader of a band of guerrilla hacktivist rats.  Their aim is to disrupt and gorge upon the addictive invisi-juice that powers phones and tablets, gnawing on bandwidth cables like sugar cane to suck at the sweet nectar within.  Above ground, the citizens are infected with a plaguelike lethargy. It turns them into zombies who stumble around in stained bed clothes looking for ever greater connectivity, totally disconnected from non-virtual reality.

Born in 1987 in Edinburgh, lives in Glasgow. She studied Fine Arts at Edinburgh College of Art. Solo and group exhibitions a.o. at Tate Britain 2016; Zabludowicz Collection, London 2014; Collective Gallery, Edinburgh 2013; Trade Gallery, Nottingham 2013. In 2013, she received the Margaret Tait Award at the Glasgow Film Festival. In 2017 she will represent Scotland at the Venice Biennale.

Selected films: Feed Me (2015), The Weepers (2014), Random Acts (2011)

 

Mod.: Franziska Stöhr, Curator, KINO DER KUNST 

22.04.2017, 7.30 p.m.

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